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Somewhere tonight as the train continues West
on a nameless plain
with enough reverence that,
soon sparks will flare and form the language of fire,
And so, working the wood, he wills sticks together
he looks to the East for the train, looks to where
to the East where the train is now coming
and there are the great puffs of smoke, and there is
and it is the fire before him which portends
his ancient ways
passengers, whose faces press to the pane,
It will be as before, as it has been for those
that they see
II.
Somewhere tonight as the train moves East
somewhere in an undisclosed city, a man is pressing a gun
He is forcing her into an alley, he is rambling on and on of his youth
it has taken this many years, until now,
And then he is silent and
This is what she breathes.
This is what seems to be
to fill the young woman's body with something
in ways which feel more powerful than she
what the gun at her rib could never.
And the young woman
those who do not react to their lives
that what is not spoken
III.
My father drove trains. His two brothers did
They all shoveled coal into steam engines, they drove
snaking cargo across the East coast
crates of Florida oranges and sweet licorice, back in the days
when my father wore overalls, flannels,
days that would suddenly be gone from him
Dementia
ten, twenty, thirty years
denying and still I believe
whenever I hear a train's whistle, that it is the sound
but was not able to say
always I listen to the voice of a train
Tonight, everywhere, as trains move like snakes going out
I think what must be passed and how they keep going
like a life, I suppose,
to survive, and how I have yet to settle down,
my father's belief that
nothing, once having arrived, will stay
and what leaves
Therese Halscheid
and your room is defined.
It is what
the joining force --
for can you not feel what the sky
its strong pull
tugging
Lately I have noticed rains, father,
that look of yours,
spotting angels.
When at last
I will have almost nothing afterward --
I will lose that long term
to illness. intrigues me
what might happen should you
to notice yourself, or be given
or the mindflow
that would force
up out of its murkiness
the damaged
watch how your limbs might take on
begin waving me
calling me daughter
while I cry like high tide
in the slow manner
that I would want
to the voice,
Always, each day,
take to my leather skin
the listlessness of the body,
the way you are
and cannot see
the varied sun spots
Still no part of you moves
and I
was published in 2001 by Kells Media Group, Oceanville, NJ. Her first book, Powertalk, was published in 1995. Ms. Halscheid's travels have taken her to England, Russia, Australia, and South Africa, among other places; currently, she is a Writer-in-the-Schools for the New Jersey State Council on the Arts. | ||
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